Felix Ynojosa IM

What you’re doing well

In your bullet games you show willingness to play sharp, tactical lines and to seize initiative when the position allows it. You handle dynamic openings with energy and you don’t back down once you’ve pressed your plan. Your openings data suggests you’re comfortable in aggressive Sicilian setups and other active responses, which helps you keep your opponent under pressure in the early middlegame. When you coordinate pieces, you create meaningful threats and often force your opponent into defensive decisions.

• You reproduce aggressive ideas from your chosen openings, keeping the attack alive even in complex positions.
• You choose active piece placements and look for tactical chances rather than settling for passive equality.
• You show resilience in complicated lines and manage to convert favorable moments into results.

Areas to improve

• Time management in fast games: bullet can tempt you to rush. Practice a quick, repeatable thought process for the critical moments (board assessment, candidate plan, and a single backup plan) to avoid blunders or over-extensions.
• Consistency in the middle game: after the opening is established, aim for a clear plan (open lines against the enemy king, improve the worst-placed piece, or create a breakthrough on a specific wing) and avoid divergent plans that leave you with scattered pieces.
• Endgame technique: a few games drift into rough rook-and-pawn endings. Strengthen basic rook endings (keeping the active rook, using the fifth-rifth rank, and promoting connected passed pawns) and practice converting small advantages.
• Blunder awareness in tactical melee: some losses came from missing simple tactical threats. Regular puzzle practice focused on forks, skewers, and back-rank motifs can help you spot these faster in live play.
• Opening familiarity and counterplay: while you’re comfortable in aggressive lines, deepen your understanding of common replies and typical middlegame plans so you can recognize strategic ideas earlier and avoid surprises.

Opening choices and strategic ideas

Your openings show strength in active Sicilian lines and related aggressive setups. This tends to yield dynamic positions where you can press for advantages. To build on this, consider the following targeted ideas:

• For Sicilian Alapin-type lines, consolidate your central and queenside plans so you can convert pressure into concrete gains rather than getting tied to a single tactic.
• In aggressive lines like the Accelerated Dragon or Closed variations, practice typical middlegame plans and typical pawn structures so you recognize the best break ideas and how to coordinate your pieces after early simplifications.
• Develop a compact, repeatable endgame plan you can reach from your common middlegame structures (for example, rook ending principles with active rook activity and king safety considerations).

Practical practice plan (next 2 weeks)

• Daily tactical training: 10–15 minutes of puzzles focused on forks, discovered attacks, and back-rank patterns to improve quick recognition in bullet time controls.
• Endgame drills: 2 sessions per week, 15 minutes each, practicing rook endings with extra pawns and basic king activity plans.
• Opening refinement: pick 1–2 Sicilian lines you enjoy (for White and for Black) and study 3 typical middlegame plans for each, including common tactical ideas your opponents will try against them.
• Post-game review: after each bullet session, write down 2–3 concrete lessons from the game (what worked, what didn’t, and one tweak for next time).

Things to watch during your next game

• Keep an eye on time pressure and have a simple, fast plan for the first 15 moves so you don’t drift into complex lines while the clock runs down.
• Be mindful of back-rank and exposed-king motifs; if you’re pressuring the opponent’s king, make sure your own king isn’t unprotected.
• After exchanges, look for a clear path to improve one or two pieces rather than shuffling multiple pieces aimlessly.

Quick reference

Profile quick link: Felix Ynojosa